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Idlewild - Idlewild

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Idlewild - Idlewild

 Immediately, there is the sense of a band in motion, their storied past not an anchor 
but a spur. Idlewild's songs offer a string of compelling answers: "Everything adds up 
to the present moment, doesn't it?" Woomble asks.
 Idlewild have been a lot of different things. They were a teenage punk band, slinging 
buzzsaw riffs and barbed refrains, before becoming one of the most compelling 
mainstream rock groups of their generation. With 2019's Interview Music, they made 
sprawling art-pop. On Idlewild, they welcome each of these past selves into the room.
 Work on a follow-up to Interview Music was initially planned to begin immediately 
after the band wrapped up touring, but the pandemic put things into a skid. Touring 
the 20th anniversary of The Remote Part in 2022 was a visceral reminder of where 
they'd been and a prompt for what might come next.
 They assembled songs that celebrated pop hooks and livewire distortion, as well as 
expressive interplay. Writing continued at Post Electric Studio in Edinburgh and the 
Isle of Iona Library, before a short, sharp burst of recording in early 2025.
 The result is a lean, focused document -- 10 tracks that get in and out in 30 minutes 
and change. With Jones engineering and mixing, the production reflects a 
collaborative, in-house approach. "We were referencing ourselves... realising that we 
had a 'sound'," Woomble says. Facing forward, not back, Idlewild captures beauty, 
nuance, and clarity from three decades of sound and feeling -- spontaneous, 
purposeful, and unmistakably them.

 Immediately, there is the sense of a band in motion, their storied past not an anchor 
but a spur. Idlewild's songs offer a string of compelling answers: "Everything adds up 
to the present moment, doesn't it?" Woomble asks.
 Idlewild have been a lot of different things. They were a teenage punk band, slinging 
buzzsaw riffs and barbed refrains, before becoming one of the most compelling 
mainstream rock groups of their generation. With 2019's Interview Music, they made 
sprawling art-pop. On Idlewild, they welcome each of these past selves into the room.
 Work on a follow-up to Interview Music was initially planned to begin immediately 
after the band wrapped up touring, but the pandemic put things into a skid. Touring 
the 20th anniversary of The Remote Part in 2022 was a visceral reminder of where 
they'd been and a prompt for what might come next.
 They assembled songs that celebrated pop hooks and livewire distortion, as well as 
expressive interplay. Writing continued at Post Electric Studio in Edinburgh and the 
Isle of Iona Library, before a short, sharp burst of recording in early 2025.
 The result is a lean, focused document -- 10 tracks that get in and out in 30 minutes 
and change. With Jones engineering and mixing, the production reflects a 
collaborative, in-house approach. "We were referencing ourselves... realising that we 
had a 'sound'," Woomble says. Facing forward, not back, Idlewild captures beauty, 
nuance, and clarity from three decades of sound and feeling -- spontaneous, 
purposeful, and unmistakably them.

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Idlewild - Idlewild
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 Immediately, there is the sense of a band in motion, their storied past not an anchor 
but a spur. Idlewild's songs offer a string of compelling answers: "Everything adds up 
to the present moment, doesn't it?" Woomble asks.
 Idlewild have been a lot of different things. They were a teenage punk band, slinging 
buzzsaw riffs and barbed refrains, before becoming one of the most compelling 
mainstream rock groups of their generation. With 2019's Interview Music, they made 
sprawling art-pop. On Idlewild, they welcome each of these past selves into the room.
 Work on a follow-up to Interview Music was initially planned to begin immediately 
after the band wrapped up touring, but the pandemic put things into a skid. Touring 
the 20th anniversary of The Remote Part in 2022 was a visceral reminder of where 
they'd been and a prompt for what might come next.
 They assembled songs that celebrated pop hooks and livewire distortion, as well as 
expressive interplay. Writing continued at Post Electric Studio in Edinburgh and the 
Isle of Iona Library, before a short, sharp burst of recording in early 2025.
 The result is a lean, focused document -- 10 tracks that get in and out in 30 minutes 
and change. With Jones engineering and mixing, the production reflects a 
collaborative, in-house approach. "We were referencing ourselves... realising that we 
had a 'sound'," Woomble says. Facing forward, not back, Idlewild captures beauty, 
nuance, and clarity from three decades of sound and feeling -- spontaneous, 
purposeful, and unmistakably them.